“You're television incarnate, Diana. Indifferent to suffering, insensitive to joy. All of life is reduced to the common rubble of banality. War, murder, death, all the same to you as bottles of beer. And the daily business of life is a corrupt comedy. You even shatter the sensations of time and space into split seconds and instant replays."
復雜沉重的母題隱晦卻可理解的人格變遷、集體漂流簡短的“事件”和春秋筆法的成長史居然可以靠男主的心理視角非線性敘事推進加上美到魂悸的攝影和剪輯當真舉重若輕風情萬種(亦真亦假電影們的本質也正是tell truth through lies啊)(看到洞穴寓言蜜桃成熟时33D作為教育專業的人很是激動感慨)(以及貝托魯奇真的太擅長拍美人和情欲了)